Walter Becker er død.
Sammen med Donald Fagen udgjorde han Steely Dan.
En af
rockens mest særprægede “bands”. Elsket og hadet for deres usentimentale, svale, intelligente rockmusik, der både var avantgarde og tradition.
Walter var
bassisten og guitaristen. Donald var pianisten og vokalisten.
De skrev deres
ting sammen.
For mit vedkommende er
det musik, som stadig har en skarphed og
et nærvær over sig.
Bethany Cosentinos (fra
duoen Best Coast) forældre lyttede til Steely Dan nonstop, og hun kunne næsten hvert et ord af deres tekster, da han blev teenager. Forældrene var lige ved at
døbe hende Aja (berømt Dan sang og album). Det har hun aldrig tilgivet dem, at
de IKKE gjorde. Hendes første emailadresse var anymajordude@hotmail.com
(Any Major Dude er en klassiker fra The Dan).
Rickie Lee Jones skrev
i Rollong Stone en bevægende hyldest til Walter, der producerede hendes Flying
Cowboys fra 1989. Siden da var de gode venner.
Hun karakteriserer deres musik sådan her:
Sexy. Contained.
Because what "the Dan" accomplished was this: They introduced a new
idea into the musical conversation of the time. It was the idea that
intelligent music was cool. In a year where drum solos lasted minutes, quarter
hours even, and singers screamed – a lot. Steely Dan made it cool to be
educated. Two homely guys who write with a fortitude that no one else
posessed. None of this emotional crap. They were all business. Which led to
sophistication.
Jeg synes Rickie
siger det rigtig godt, og hun slutter sin tekst meget effektivt:
I am Rickie Lee
Jones. And I was one of the women Walter Becker took such good care of in his
short life. I would want you to know that. He was so funny. Walter knew what he
was doing. He planted music. It grows all around us now.
Det stemmer!
Og glem så ikke
Walters to soloudgivelser, især den seneste fra 2008, Circus Money er delikat. Men 11 Tracks of Whack er nu også fin.
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